The story of Frank Abagnale Jr., before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and legal prosecutor as a seasoned and dedicated FBI agent pursues him.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife? Written by
Twentieth Century Fox
David Fincher shot an incredible five hundred hours of material over the one-hundred-day shoot, an average of five hours per day. See more »
Every time they go to or come back from St. Louis, they cross the Mississippi River bridge, which leads to Illinois. So they essentially leave Missouri, drive through Illinois and then come back into Missouri again at some point. See more »
When I think of my wife, I always think of the back of her head. I picture cracking her lovely skull, unspooling her brain, trying to get answers. The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? What will we do?
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Instead of the traditional 20th Century Fox music that accompanies the logo in the beginning usually, a track from the soundtrack, "What Have We Done to Each Other?" (the first track) plays while the logo is shown, and continues to the Regency logo and the movie's opening credits. See more »
That's a fairly glib start to a review of a movie that I really liked, but it is true. The first half of Gone Girl is a fairly standard "did he or didn't he" mystery thriller. Then, about an hour in, the perspective shifts entirely and suddenly you realise that you're watching – perhaps – the most pitch-black comedy that you've ever seen.
Despite the abrupt shift, I still think that Gone Girl holds together extremely well as one whole movie. Ben Affleck's Nick manages to inspire sympathy without ever being truly likable while Rosamund Pike's Amy (the star of the show in my opinion) is brilliant, terrifying, hilarious and despicable in various combinations and occasionally all at the same time.
David Fincher's direction is both classy and clever (as usual) and several scenes are particularly outstanding due at least as much to his brilliance as that of the actors involved in them. My one complaint would be over the length – it really didn't need to be two and a quarter hours long. There were certainly a few moments, particularly in the first half, when I wished that the movie would hurry up and get to the point just a little more quickly.
Gone Girl is a movie unlike any that I've ever seen before and as such largely defies further description. I would recommend this movie to all (with a warning that the adult rating is well earned) but especially those with a dark sense of humour. The darker the better.
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